5.02.2024

MELVINS

 









"bad mood rising"
Year:  2022
Country:  US
City:  Montesano, WA
Format:  CD, LP
Tracks:  6
Time:  45 min.
Genre:  rock
Style:        Alternative Metal













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JELLO BIAFRA + THE MELVINS
"si howdy"
Year:  2005
Label:  Alternative Tentacles
Format:  CD, LP
Tracks:  10
Time:  45 min.
Genre:  rock
Style:        Punk













I am not going to argue that describing this conglomeration of politically like-minded individuals is difficult. In fact, I’ll admit that it’s pretty damn easy. Look at the name; Jello Biafra and the Melvins. Jello Biafra brings humorously scathing lyrics and a unique vocal styling while the Melvins, along with Tool guitarist Adam Jones deliver sometimes sludgy but mostly punk riffs. Call it honest advertising.

Sieg Howdy! is the group’s second outing and its ten tracks consist of four song types; one extended version of a song from their debut, two cover songs, four exclusive tracks, and three remixed versions of songs from their debut. As slapped together as this album reads, you’ll find that it all works rather seamlessly. Jumping from an Alice Cooper cover (“Halo of Flies”) to the extended track “The Lighter Side of Global Terrorism” does not require a comfortably schizophrenic state of mind. Speaking of the former, Biafra and his instrumental cohorts do Cooper right by maintaining the original’s attitude and addictive, driving riff while playing with the vocal delivery enough to distinguish the two. The extended track is the most disposable of the ten tracks because the original was a punk song and adding three minutes to the original’s four makes it three minutes too long. That said, if you don’t have the original you won’t see it as the throwaway that it is to those who own Never Breathe What You Can’t See. “Kalifornia Uber Alles” joins “Halo of Flies” to round out Sieg Howdy’s! covers. A live recording of Biafra and the Melvins playing a Dead Kennedy’s staple, the song could have sounded stale, but Osborne throws in some sludge influences to give it a life of its own and make it one of the album’s stronger songs. The last three tracks from What You Can’t See are remixed with interesting results. Strange synth beats aren’t just thrown into the mix for the hell of it, which is what I had initially feared. Well, “Dawn of the Locusts” comes close to that, but “Enchanted Thoughtfist” and “Caped Crusader” improve on the originals by adding layers that strengthen the character of Osborne’s riffs.

The four songs exclusive to Sieg Howdy! should not surprise anyone in possession of What You Can’t See, as they don’t stray too far from the punk meets sludge territory established by the original, which is fine by me. Melvins fans will find “Wholly Bun Bull” and “Voted Off the Island” especially to their liking, as both briefly incorporate a sludge riff or two, but anyone offended by speedier material should be warned that Sieg Howdy! is about three parts punk and one part sludge. “Those Dumb Punk Kids (Will Buy Anything)” is not only the strongest of the exclusive tracks, but also the strongest of any track on the album as a whole. Riffs come fast and Biafra lets loose with a diatribe that name-drops everyone from Nirvana to Black Flag.

Often times supergroups like Jello Biafra and the Melvins produce uninspired material that falls short of pleasing fan expectations, but for the second time Biafra, Osborne, Jones, Rutmanis, and Crover manage to record an album’s worth of sarcastic, intelligent, uncompromising, and fun music.
(*Review  by Chris Chellis ).
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"stag"
Year:  1996
Label:  Warner
Format:  CD, LP
Tracks:  16
Time:  50 min.
Genre:  rock
Style:        Alternative Metal








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"houdini"
Year:  1993
Label:  Warner
Format:  CD, LP
Tracks:  13
Time:  50 min.
Genre:  rock
Style:        Alternative Metal








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4.16.2024

JACK

 









"lobotomia"
Year:  2022
Country:  Hungary
City:  Kiskunhalas
Label:  Wise Grinds
Format:  LP, CD
Tracks:  16
Time:  20 min.
Genre:  rock
Style:        Grindcore













Grinding crustcore band from Kiskunhalas, Hungary. Founded in 1996. In the early days they played fast British punk songs, later their music turned to crustcore/grindcore.

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"neurozis"
Year:  2016
Label:  Give Praise
Format:  CD, LP
Tracks:  19
Time:  22 min.
Genre:  rock
Style:        Grindcore








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"inhumanus"
Year:  2012
Label:  Give Praise
Format:  CD
Tracks:  20
Time:  24 min.
Genre:  rock
Style:        Grindcore








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"téged akarnak"
Year:  2000
Label:  Nemart
Format:  CD, LP
Tracks:  13
Time:  20 min.
Genre:  rock
Style:        Punk Grindcore








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4.01.2024

JUDAS PRIEST

 









"invincible shield"
Year:  2024
Country:  UK
City:  Birmingham
Label:  Sony
Format:  CD, 2 x LP
Tracks:  11
Time:  50 min.
Genre:  rock
Style:        Heavy Metal













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"firepower"
Year:  2018
Label:  Sony
Format:  CD, LP
Tracks:  14
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"angel of retribution"
Year:  2005
Label:  Sony
Format:  CD
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal















After the 1990 album, ‘Painkiller’, Rob Halford left Judas Priest and the band continued on for 11 years with the singer Tim “Ripper” Owens. Rob went on and did his own thing whether it was the band Fight, Two or band Halford. Judas Priest did two albums with Ripper during this time, but the fans were screaming for Halford and Priest to reunite. Rob had wanted that for a long time, but was too afraid to reach out (at least that is what he says in his book). However, eventually it happened. Rob Halford was to rejoin Priest and in 2003, it finally happened.

Judas Priest toured a little and then went in to the studio to record their new album ‘Angel of Retribution’. They recorded from October to December of 2004 and the album was finally released on February 23, 2005 and to quite acclaim. It went to #13 on the Billboard 200 Charts and Priest were back. Rob brought over Roy Z as the producer who also mixed and engineered the album as well. Roy Z was the guitar player in Rob’s band Halford and he produced several of those albums as well.

I read somewhere that the album artwork was a continuation of the angel from ‘Sad Wings of Destiny’. This time the angel has transformed in to steel as she is rising out of the ashes and becoming the angel of retribution. Who knows if that is true, but cool to think that it is a reference to that album.

After 11 years apart, what would the new Priest sound like was the question of the day. Judas Priest would come out and deliver a massively heavy album and usher their sound in to the 21st Century! Rob Halford, Glenn Tipton, K.K. Downing, Ian Hill and Scott Travis are ready to rock.

The album opens with the song “Judas Rising” and Judas is the angel from Sad Wings of Destiny, Painkiller and this album cover. You could take it as Priest saying they were back from the ashes ready to rock the world again. The song opens with heavy guitars, double-kick drum mayhem and a massive scream from Halford announcing the return of the classic line-up. The song is immense and powerful with Halford attacking the lyrics with all his might and how Scott Travis on drums can continue the pummeling of the kick drums for that long is beyond me. The band explodes out of the gates of hell with such destructive force and the excitement is building for what is to come.

“Deal with the Devil” is a song that tells the story about the band’s story and takes you back to the Black Country where they started to the metal gods they are today. Another heart pounding song and a very catchy chorus. Not as hard as the opener and a little more melodic. This is the only song that Roy Z had a co-write on, otherwise, it is still Halford, Tipton and Downing at the helm. Towards the back half of the album and on several more songs, Halford hits some notes that sound a lot like Axl Rose from Guns ‘N Roses and I mean that in a very good way. The solo on this is incredibly fast and frantic and I think is a dual solo for Tipton and Downing. A great exclamation point on an already great song.

This might be a first for the band, a bass line opening by Ian Hill. I am not sure if they’ve done that before. The Rob scream at the beginning has been done before but to have Ian front and center is a nice change. The song is really different than what I would’ve expected. “Revolution” is probably the most radio-friendly song on the album and has a ton of Rob’s screams, a simple guitar riff and at times the song is a little cheesy, but it is catchy enough. Sometimes strange is good. A fact about that opening bass as it is actually from a cassette tape that they recorded that riff on back in the 70’s. They uploaded it to pro tools and built the song around it.

“Worth Fighting For” comes out and sounds a lot like old school Priest…well maybe early 80’s Priest anyway. A simple drum beat and Rob singing softly at the opening. A slower tempo almost a ballad, but not quite. The guitar solo is great and fitting for the song and not over-the-top. I find the song to be quite pleasant and and a nice unexpected twist in style and vibe. They are keeping you on your toes with this album.

“Demonizer” brings back the heavy and the darkness. With a killer riff to open the song and more of Scott’s double kick drum madness. The song could’ve been straight off Painkiller as it has that tone. Rob sounds great here and he sounds so menacing and evil fitting for a song called “Demonizer”. Another assault on the senses and turn it up to 11 so you get the full effect of those guitars and drums as they pummel your ears and you love every minute of it.

The next song opens with what sounds like a Van Halen riff, listen closely. “Wheels of Fire” will take you back to the ‘Screaming for Vengeance’ era and make all you 80’s Priest fans very happy as it would feel right at home in that era. It isn’t the heavy, destructive force as the beginning of the album, but you need a break form that and this one will give you all the good feels of 80’s Priest and I am good with that feeling.

Then we get a true ballad with the song “Angel”. I think this might be one of the best ballads they had done. Rob’s vocals on this might be the best of the album. His vocals are smooth at times and full of emotion and it is just him and an acoustic guitar for most of the song. It has a very melancholy tone and is actually quite moving. The bass comes in around the middle and then some electric guitars for the solo. The drums to come in towards the end and brings the full band in to play. It is a beautifully constructed song and might be the best song on the album…who am I kidding, it is the best song on the album.

The heavy is brought back with the speed demon of a song, “Hellrider”. The guitar opening is incredible and then the destructiveness of Scott’s drums come in followed by Rob’s evil vocals and the band is fire. If you are a fan of the last album with Rob, ‘Painkiller’, then this song will be right up your alley. I think my ears started to bleed from listening to this and I couldn’t be happier. It is an evil beast and a great way to end the album. Well, I say that because the last two songs are complete and utter trash so this is the end of the album for me.

“Eulogy” is up first and I guess this might be the opening to the horrific song “Lochness”, but if not, I will review as a stand alone. It is a slow tempo song but where “Angel” was emotive and done perfectly, this song falls flat and I found lacked emotion and was quite dull in comparison. The piano seems to play on with no real direction and keeps repeating the same notes over and over. Rob sounds bored and not sure how to sing it. Move on.

The final track on the album is the longest one at 13 minutes. “Lochness” is about old Nessie and I am not sure what they were going for here. Are they trying to go back to their early prog roots or what I am not sure. The song is heavy and feels very evil and there are some musical moments I like, but overall it lacks so much. The song is cheesy at times and when Rob hits the chorus, oh man, shoot me now it is so bad. I think the song is trying to be more than it can be as there aren’t enough shining moments to lift it above its dreariness. Now you know why I say the album ends at “Hellrider” (*Review from HERE ).
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"demolition"
Year:  2001
Label:  Warner
Format:  CD, LP
Tracks:  13
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"jugulator"
Year:  1997
Label:  Steamhammer
Format:  CD, 2 x LP
Tracks:  11
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"painkiller"
Year:  1990
Label:  Sony
Format:  CD, LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"ram it down"
Year:  1988
Label:  CBS
Format:  CD, LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"turbo"
Year:  1986
Label:  Sony
Format:  CD, LP
Tracks:  9
Time:  50 min.
Genre:  rock
Style:        Heavy Metal















The tenth studio album by Judas Priest, certified gold in June 1986 and platinum in July 1989. It was celebrated with a 3-disc 30th Anniversary edition in 2017 with discs 2 and 3 containing a full live concert from the 1986 Fuel For Life World Tour.

The album was initially planned to be an 18-track double album, "Twin Turbos". Four of the leftover songs ended up on Judas Priest - Ram It Down, one became bonus track on the 2001 remaster of "Turbo", "Heart of a Lion" ended up on Judas Priest - Metalogy: Box Set Sampler and two more, "Prisoner of Your Eyes" and "Red White and Blue" can be found on Judas Priest - Screaming For Vengeance and Judas Priest - British Steel respectively. The remaining tracks "Under the Gun" and "Fighting for Your Love" have not been released yet.
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"defenders of the faith"
Year:  1984
Label:  Sony
Format:  CD, LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"screaming for vengeance"
Year:  1982
Label:  Sony
Format:  CD, LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"british steel"
Year:  1980
Label:  Sony
Format:  CD, LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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" sin after sin"
Year:  1977
Label:  Sony
Format:  CD, LP
Tracks:  8
Time:  40 min.
Genre:  rock
Style:        Hard Rock








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"sad wings of destiny"
Year:  1976
Label:  Gulf
Format:  CD, LP
Tracks:  9
Time:  40 min.
Genre:  rock
Style:        Hard Rock








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"rocka rolla"
Year:  1974
Label:  Gull
Format:  CD, LP
Tracks:  10
Time:  40 min.
Genre:  rock
Style:        Hard Rock








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2.12.2024

RUSH

 









"idem"
Year:  1974
Country:  Canada
City:  Toronto
Label:  Universal
Format:  CD, LP
Tracks:  8
Time:  50 min.
Genre:  rock
Style:        Prog Rock













Rush was a Canadian rock band that primarily comprised Geddy Lee (bass guitar, keyboards, vocals), Alex Lifeson (guitar) and Neil Peart (drums, percussion, lyricist). The band formed in Toronto in 1968 with Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through several line-up changes before arriving at its classic power trio lineup with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this lineup remained intact for the remainder of the band's career.

Ayn Rand’s novels 'The Fountainhead' and 'Atlas Shrugged' helped shape a generation, but it was a lesser-known work, Anthem, that shaped one of the greatest rock and roll albums of all time: 2112 by Rush.

In this video, you’ll learn about Objectivism: Ain Rand’s philosophy of rights, man’s rational judgment, and unforced human action. (Learn more about Ayn Rand and Objectivism in our "Legends of Liberty". You’ll hear Rush paying tribute to Ayn Rand through unique lyrics and dynamite rock and roll. You’ll even be introduced to Rush’s mastermind, Neil Peart, by the most unlikely of sources: Jack Black from School of Rock.

We also talked to Matt Kibbe, President of Free the People and lifelong Ain Rand reader and Rush fan about the impact of both writer and band on his life and on each other. He tells the story of a band that dared to be different — in their musical style, in the concept of their albums, and even in the length of their songs.

Comment below with a time when you thought differently from everyone else. Were you lauded for it? Were you ostracized for it? How did that reaction make you feel? If Ayn Rand or Neil Peart were here, this much is for sure: they’d stand for your right to go against the grain.

LEARN LIBERTY:
Your resource for exploring the ideas of a free society. We tackle big questions about what makes a society free or prosperous and how we can improve the world we live in. Watch more at: Liberty .
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"fly by night"
Year:  1975
Label:  Universal
Format:  CD,  2 x LP
Tracks:  8
Time:  38 min.
Genre:  rock
Style:        Prog Rock








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"a farewell to kings"
Year:  1977
Label:  Universal
Format:  CD, LP
Tracks:  6
Timme:  36 min.
Genre:  rock
Style:        Prog Rock








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"hemispheres"
Year:  1978
Label:  Universal
Format:  CD, LP
Tracks:  4
Time:  36 min.
Genre:  rock
Style:        Prog Rock








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"moving pictures"
Year:  1981
Label:  Universal
Format:  D, LP
Tracks:  7
Time:  40 min.
Genre:  rock
Style:        Prog Rock








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"grace under pressure"
Year:  1984
Label:  Universal
Format:  CD, LP
Tracks:  8
Time:  45 min.
Genre:  rock
Style:        Prog Rock








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"power windows"
Year:  1985
Label:  Universal
Format:  CD, LP
Tracks:  8
Time:  44 min.
Genre:  rock
Style:        Prog Rock








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"presto"
Year:  1989
Label:  Warner
Format:  CD, 2 x LP
Tracks:  11
Time:  45 min.
Genre:  rock
Style:        Prog Rock















Presto is the 13th studio album by Canadian rock band Rush. It was released on November 17, 1989 by Anthem Records and was the band's first album released internationally by Atlantic Records, following the group's departure from Mercury. After the Hold Your Fire (1987) tour ended in 1988, the group members reconvened in December to decide their next step and agreed to take six months off before starting on a new album. Presto marked another change in Rush's sound, with guitar taking a more dominant role in the writing, a reduction in synthesizers and a return towards more guitar-driven arrangements.

Presto reached No. 7 in Canada and No. 16 in the United States. "Show Don't Tell," "The Pass" and "Superconductor" were released as singles from Presto; the former charted at No. 1 on the U.S. Album Rock Tracks chart.[4] Rush supported the album with the Presto Tour from February to June 1990. Presto reached gold certification by the Recording Industry Association of America for selling 500,000 copies.[5] The album was remastered in 2004 and 2013, the latter as part of the 2013 box set The Studio Albums 1989 - 2007. In 2015, it was reissued after being remastered by Sean Magee at Abbey Road Studios, following a direct approach by Rush to remaster their entire back catalogue.
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"counterparts"
Year:  1993
Label:  Warner
Format:  CD, LP
Tracks:  11
Time:  45 min.
Genre:  rock
Style:        Prog Rock








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"vapor trails"
Year:  2002
Label:  Warner
Format:  CD, 2 x LP
Tracks:  13
Time:  50 min.
Genre:  rock
Style:        Prog Rock








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"clockwork angels"
Year:  2012
Label:  Warner
Format:  CD, 2 x LP
Tracks:  12
Time:  60 min.
Genre:  rock
Style:        Prog Rock








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