6.26.2020

THE GHOST INSIDE















"idem"
Year:  2020
Country:  US
City:  Los Angeles
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore













The Ghost Inside make music for the outcasts. They’ve inspired audiences around the world to overcome obstacles, persevere, and find the strength to keep going when it feels like all is lost. Songs like “Out of Control”, “White Light” and “Mercy” are modern hardcore anthems. Passionate crowds have joined them in singalongs at major rock festivals, in theaters and clubs, brought together by the conviction of lyrics like, “Life’s swinging hard but, I’m swinging harder.” On an early morning in November 2015, The Ghost Inside’s tour bus collided with a tractor trailer, killing the drivers of both vehicles on impact, and severely injuring the band and their crew. When The Ghost Inside returned to the stage for the first time, nearly four years later, Kerrang! called it “Rock’s Most Miraculous Comeback” in a detailed cover story about triumph over tragedy. The ultimate victory for The Ghost Inside is their triumphant new self-titled album. thing magical to behold (the historic Shrine Auditorium sold out so quickly, the gig had to be moved to the parking lot), it isn’t the accident, the recovery, nor the onstage return that will define them. Created with producer Will Putney (Every Time I Die, The Amity Affliction, Knocked Loose) and longtime friend/collaborator Jeremy McKinnon of A Day To Remember, The Ghost Inside is 11 songs of determination, deep resolve, reflection, and new found hope. The album cover is a montage of The Ghost Inside lyrics, logos, and imagery, tattooed on fans around the world. The Ghost Inside was formed in El Segundo, California, comprised of Vigil and a group of friends who found inspiration in the long tradition of Southern California punk and hardcore subculture. An early lineup created their debut, Fury and the Fallen Ones (2008). Johnson joined a short while later, with Riley also onboard by the time they released Returners (2010). Tkaczyk became the band’s fulltime drummer before they signed with Epitaph Records to issue their breakthrough album, Get What You Give (2012). They were touring behind Dear Youth (2014) with Davis, but the incredibly collaborative The Ghost Inside (2020) marks his first official recorded appearance.
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"dear youth"
Year:  2014
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"get what you give"
Year:  2012
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"returners"
Year:  2010
Label:  Mediaskare
Format:  CD
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"fury and the fallen ones"
Year:  2008
Label:  Mediaskare
Format:  CD
Tracks:  12
Time:  28 min.
Genre:  rock
Style:        Metalcore








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6.21.2020

EXTREME NOISE TERROR














"idem"
Year:  2015
Country:  UK
City:  London
Label:  Agipunk
Format:  LP, CD
Tracks:  13
Time:  28 min.
Genre:  rock
Style:         Crust Punk









Among the kings of the late 80s british hardcore punk community, ENT, indisputably deserve their name to be written in big black capitol letters. After speeding up, together with Napalm Death, Doom and the likes, what Discharge created back in the early eighties and inspiring a whole generation of d-beat, crust and grindcore bands, ENT are back in 2017 with a new full length recorded during last months.
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"law of retaliation"
Year:  2008
Label:  Osmose
Format:  CD, LP
Tracks:  19
Time:  36 min.
Genre:  rock
Style:        Crust Punk








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"being and nothing"
Year:  2001
Label:  Candlelight
Format:  CD, LP
Tracks:  10
Time:  30 min.
Genre:  rock
Style:        Grindcore















With all the tiring line-up changes that occured through the years that ENT are around, it's surprisingly brutal to see that the spirit of this band hasn't change like hell. "Being And Nothing" is a relentless brutal death grinding attack, like no one could foresee. They seem that haven't made music for years, once the rage and blasting fury of this album seems that ENT are just too angry to give a break to the fans. After the amazing "Damage 381", where the old scholl grindcore spirit prevailed [most because of the Barney's trademark vocal register] alongside with social political directioned lyrics, ENT changed a bit their direction focusing much more on brutality and speed, with a new line up [as always] where for my surprise enters former Cradle Of Filth guitar player Gian Pyres. Full blasting from the beggining to the end and killing everything on it's way, "Being And Nothing" only fails in its shortness. Opening with the balzing furious "Being And Nothing" and finishing with "Detestation". Only hatred and fury exales from this album, not for the faint of heart. To have a closer idea of what I'm talking, pick up Malevolent Creation's "Envenomed" and "The Will T Kill" and you can see the difference between "Damage 381" and "Being And Nothing". More in your face brutality, always with superior technical performance, just like a band like ENT could do. Extreme Noise Terror is the new brutality meaning (*Review by Phantasos666 ).
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"damage 381"
Year:  1997
Label:  Earache
Format:  CD
Tracks:  10
Time:  30 min.
Genre:  rock
Style:        Grindcore








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"retro-bution"
Year:  1994
Label:  Earache
Formt:  CD, LP
Tracks:  14
Time:  30 min.
Genre:  rock
Style:        Crust Punk








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"phonophobia"
Year:  1991
Label:  Vinyl Japan
Format:  CD, LP
Tracks:  12
Time:  25 min.
Genre:  rock
Style:        Crust Punk















Extreme Noise Terror, once praised as a crust punk grindcore band, then known and now again returned to the roots, are from Ipswich, UK. Formed in 1985, they are one of the key early UK grindcore bands and are still together today with vocalist Dean Jones as the only original member. Notable for their use of dual vocalists and for recording a number of sessions for BBC Radio 1 DJ John peel, Extreme Noise Terror (often abbreviated to ENT) initially started as a hardcore punk band. It became quickly evident from early shows that they were far more extreme than many bands of that genre. Together with Napalm Death, ENT helped characterise the early, archetypal grindcore sound: Fiercely political lyrics, grinding guitars, extremely fast tempo and very short songs. Tracks 1 to 10 originally recorded and mixed at Southern Studios, London - August 1991. Remixed and remastered by Dean Jones and Phil Vane with additional production at Springvale Studios, Ipswich - October 2009.
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"the peel sessions"
Year:  1988
Label:  Earache
Format:  CD, LP
Tracks:  22
Time:  30 min.
Genre:  rock
Style:        Crust Punk








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6.18.2020

MOTÖRHEAD


































"idem"
Year:  1977
Label:  Chiswick
Format:  CD, LP
Tracks:  12
Time:  36 min.
Genre:  rock
Style:        Heavy Metal
















Originally released on September 24, 1977, this grouping assembles all variations of the "Motörhead" album as well as its re-releases and subsequent remastered versions (some also contain bonus tracks or feature alternate covers). Bootlegged versions are also grouped here.
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"overkill"
Year:  1979
 Label:  Chiswick
Format:  CD, LP
Tracks:  10
Time:  36 min.
Genre:  rock
Style:        Heavy Metal








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"bastards"
Year:  1993
Label:  Styx
Format:  CD, LP
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Heavy Metal








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"overnight sensation"
Year:  1996
Label:  Steamhammer
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"we are motörhead"
Year:  2000
Label:  Steamhammer
Format:  CD, LP
Tracks:  12
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"hammered"
Year:  2002
Label:  Steamhammer
Format:  CD, LP
Tracks:  11
Time:  45 min.
Genre:  rock
Style:        Heavy Metal







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"inferno"
Year:  2004
Label:  Steamhammer
Format:  CD, LP
Tracks:  12
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"kiss of death"
Year:  2006
Label:  Steamhammer
Format:  CD, LP
Tracks:  12
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"motörizer"
Year:  2008
Label:  Steamhammer
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"the wörld is yours"
Year:  2010
Label:  Steamhammer
Format:  CD, LP
Tracks:  10
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"aftershock"
Year:  2012
Label:  none
Format:  CD, LP
Tracks:  14
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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"bad magic"
Year:  2015
Label:  none
Format:  CD, LP
Tracks:  13
Time:  40 min.
Genre:  rock
Style:        Heavy Metal








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6.16.2020

KVELERTAK























https://img.discogs.com/vDHfVXHY_USYVrNYopZlhYLOtVo=/fit-in/600x600/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-15224937-1588345242-9345.jpeg.jpg"westcoast holocaust"
Year:  2007
Country:  Norway
City:  Stavanger
Format:  Demo
Tracks:  10
Time:  26 min.
Genre:  rock
Style:        Prog Punk
















( password: destileriasonora ).
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"idem"
Year:  2010
Label:  Warner
Format:  CD, 2 x LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Prog Punk








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"meir"
Year:  2012
Label:  Warner
Format:  CD, 2 x LP
Tracks:  12
Time:  48 min.
Genre:  rock
Style:        Prog Punk








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"nattesferd"
Year:  2016
Label:  Warner
Format:  CD, 2 x LP
Tracks:  9
Time:  40 min.
Genre:  rock
Style:        Prog Punk






( password: destileriasonora )

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"splid"
Year:  2020
Label:  Warner
Format:  CD, 2 x LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Prog Punk








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5.24.2020

INTEGRITY
























"seasons in the size of days"
Year:  1997
Country:  Belgium
City:  Brussels
Label:  Victory
Format:  CD, LP
Tracks:  12
Time:  35 min.
Genre:  rock
Style:        Hardcore














known for their dense, weight and incendiary sound into the hardcore, punk and metal scene, apocalyptic heavy music veterans Integrity formed in 1988 primarily as an outlet for the philosophical musings of vocalist Dwid Hellion. With an intense sound that melds together high-velocity hardcore punk with slow heavy metal, sludge and angular, noisy guitar riffs. Lyrical themes includes magic, the supernatural, mental illness, individualism, the occult and some self-parodies and jokes, Integrity are one of the pioneering forces that forged the worlds of hardcore and metal together early 90s decade as well as bands such as: Raised Fist, Refused or Seeing Red.
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"idem"
Year:  1999
Label:  Victory
Format:  CD, LP
Tracks:  12
Time:  35 min.
Genre:  rock
Style:        Hardcore








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"closure"
Year:  2001
Label:  Victory
Format:  CD, LP
Tracks:  11
Time:  24 min.
Genre:  rock
Style:        Hardcore








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"to die for"
Year:  2003
Label:  Deathwish
Format:  CD, LP
Tracks:  9
Time:  20 min.
Genre:  rock
Style:        Hardcore








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"palm sunday"
Year:  2006
Label:  Spook City
Format:  CD, LP
Tracks:  10
Time:  24 min.
Genre:  rock
Style:        Hardcore








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"suicide black snake"
Year:  2012
Label:  A389 Recordings
Format:  CD, LP
Tracks:  10
Time:  27 min.
Genre:  rock
Style:        Hardcore








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"howling for the nightmare shall consume"
Year:  2017
Label:  Relapse
Format:  CD, LP
Tracks:  15
Time:  35 min.
Genre:  rock
Style:        Hardcore








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POLARIS























"the death of me"
Year:  2020
Country:  Australia
City:  Sydney
Label:  Resist
Format:  CD, LP
Tracks:  10
Time:  45 min.
Genre:  rock
Style:        Metalcore















Polaris is one of those Metalcore bands, who write songs with political lyrics or social issues related. In the vein of: Architects, Heaven Shall Burn, Gravedigger, Black Blood, Enter Shikari, Northlane, etc. Mixing agressive and melodic parts, with elaborated guitar riffs and clear voices.

 Polaris’ chief lyricist Daniel Furnari has described The Death Of Me as being “a record about losing faith in yourself and the world”. Despite this bleak outlook, though, there are plenty of reasons for Daniel and his bandmates to have belief in themselves here.

Following a successful debut album – 2017’s The Mortal Coil, which debuted in the Australian Top 10 – the Sydney natives have produced another brilliant metalcore record that positions them as one of the genre’s standout hopes. Flitting between melodic choruses on songs like Masochist or Vagabond and the raging heaviness of recent single Hypermania, Polaris consistently impress across The Death Of Me.

Their take on their genre is studied, but it works because it doesn’t rely on a cookie-cutter approach. Instead, they carve a path of their own, with their music elevated further by the formidable delivery of frontman Jamie Hails. The result is an album which, rather than proclaiming death, signals the rise of an increasingly bright musical force (Review by Jake Richardon ).
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5.16.2020

HEAVEN SHALL BURN

















"of truth and sacrifice"
Year:  2020
Country:  Germany
City:  Thuringia
Label:  Century Media
Format:  2 x CD, 2 x LP
Tracks:  19
Time:  97 min.
Genre:  rock
Style:        Metalcore













Heaven Shall Burn are a German extreme metal band from Saalfeld, formed in 1996. The band consists of vocalist Marcus Bischoff, guitarists Maik Weichert and Alexander Dietz, bassist Eric Bischoff and drummer Christian Bass. They are currently signed to Century Media. They have released eight studio albums, as well as a number of other records. One of their album, Veto, entered the German Album Charts at #2 in 2013, with their latest, Of Truth and Sacrifice reaching number 1.

Heaven Shall Burn's musical style has been described as symphonic, progressive, melodic and modern death metal. "Melodic death metal" (also referred to as melodeath) is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The style originated and developed in Sweden (pioneered by At the Gates, Dark Tranquillity and In Flames) and the UK (pioneered by Carcass) around 1993. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. Heaven Shall Burn lyrics often express heavy support for anti-racism and anti-fascism. They also have lyrics about atheism, internationalism, resistance, oppression and animal rights. All members are vegans or vegetarians and most follow or followed a straight edge lifestyle.
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"wanderer"
Year:  2016
Label:  Century Media
Format:  CD, 2 x LP
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Metalcore









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"veto"
Year:  2012
Label:  Century Media
Format:  CD, 2 x LP
Tracks:  11
Time:  50 min.
Genre:  rock
Style:        Metalcore














Decided to dust off a trivia-filled blog I wrote a few years ago after I was reading the news this morning and listening to a very specific song while commuting to work. Figured I'd share this in time for your commute. Feel free to leave your thoughts and feedback.

On my way to the office this morning I was reading through the daily “5 things” newsletter by CNN. No worries, I wasn’t driving: since I joined ISA a few months ago I usually take the TTC (Toronto’s public transit system, in my case a combination of a short bus ride and a much longer subway trek). The Mueller hearings, Boris Johnson taking over, uproar over Ricardo Rosselló in Puerto Rico, … It’s quite the day. My morning playlist drowns out all other distractions, as another song comes on and provides a fitting soundtrack for today’s news.

“Lady Godiva, when will you ride again?” The Metalcore anthem echoes in my ears as the train thunders on towards Islington station. Save me from the burning, please. No, this song doesn’t muse over the soothing effects of eating Belgian chocolate but makes a modern-day metaphor of one my favourite medieval tales.

Lady Godiva, or Godgifu as the 11th century population of Coventry would have called her, was an Anglo-Saxon lady of noble birth and the wife of Leofric, Earl of Mercia. A place of turmoil and civil war at the time, Mercia covers what is now known as the English Midlands and was rumoured to be a prime location to find coconuts. The migration of coconuts into Mercia to this day remains a mystery as the European swallow could not carry them, and African swallows are non-migratory.

Leofric had one son: Ælfgar, who was an ambitious man. He inherited the titles Lord of Coventry and Earl of the Kingdom in 1057. He unsuccessfully manoeuvred to become King Edward’s puppet master, only to result in his exile from Mercia. This led to a short yet bloody civil war, resulting in the burning of the city of Hereford and the annihilation of its people. In the end the swords were sheathed to allow for a peaceful solution.

Unlike his son Ælfgar, the remaining evidence of Leofric’s life tells the story of a respected leader and a kind and devout Christian. He and his young wife Godgifu, which literally means ‘gift of god’, are credited with founding the monastery at Coventry and donating lands and funds to other houses of God. However... The Flores Historiarum[4], a chronicle written 200 years after Leofric’s death, painted a very different image. In the legend of Lady Godiva, Leofric is a heartless ruler.

With an iron fist, Leofric rules the people of Coventry, who are suffering from his high taxes. The young and beautiful Godiva takes pity on the poor and pleads to her evil husband, begging to stop the taxation. Finally the sadistic Lord promises to lower the taxes if Godiva strips naked and rides through the streets of Coventry. The Lady agrees to this public humiliation but asks the people of the town to stay indoors and close all windows.

Covered in nothing but her hair, Godiva rides through the town as symbol of hope and justice.

There was one person however, a tailor called Tom, who, like all men, had been completely infatuated by the young Lady’s beauty. He had bored a little hole in one of his house’s shutters to watch her pass by. But at the moment he wanted to catch a glimpse of her naked beauty, he was struck blind as punishment for his disobedience. From that point on, he would be known as Peeping Tom.

Leofric was so moved by Godiva’s selfless act, that he kept his word. He lowered the taxes and ruled with a softer touch for the rest of his days.

The Legend tells us a wonderful tale about justice and standing up in a peaceful way for those who are too weak to defend themselves. I almost feel it is a shame there is absolutely no historical base for the story. Don’t get me wrong, I am happy that no such action was necessary under the reign of Leofric. History, unfortunately, has seen many ruthless men rise to power, against who symbolic actions were needed. Without humanitarian organisations and worldwide media however, this hardly ever happened. Because it almost seems too unlikely that one of our own – let alone we ourselves – will stand up for us or against injustice, we as humans tend to make up our heroes to do it for us. Whether it is the peaceful Godiva, the outlaw Robin Hood or modern-day Batman, we make up the greatest stories of the (often) lone hero that fights evil and prevails. Unselfish. Unbelievable. Untrue. “Because sometimes the truth isn’t good enough. Sometimes people deserve more. Sometimes people deserve to have their faith rewarded.”

This story as we know it was penned down by Roger of Wendover, 2 centuries after Leofric and Godiva ruled Coventry. In his version, the entire town is gathered by the evil Lord and is forced to watch. It was only over time that the world’s most famous voyeur, Peeping Tom, was introduced, ad , adding an additional lesson in morality to the story. So, if the naked ride never happened, where did it come from? A possible origin of the story could come from medieval habit of performing a public penitent procession. It was a custom for sinners and committers of petty crimes to parade through town, wearing nothing but their undergarment or Chemise. This was considered ‘naked.’ George R.R. Martin took it a little more literal when he wrote Cersei Lannister’s famous shame walk in the A Song of Ice and Fire book series.

Like so many Christian habits, the origins of these processions are likely to be found in pagan rituals. Coventry was founded by the Saxons. No one really is sure where the name comes from. One theory suggests it comes from Coven Tre (a mix of Celtic and old English for Convent Town), as the city grew around an 8th century convent. The most accepted theory on the other hand comes from a tree. A tree planted, to mark the centre of the town. This sacred tree was called Coffa’s tree. Details on this Coffa are lost in history, but his name lives on in the city he probably founded. J.R.R. Tolkien used the same symbol for the White Tree of Minas Tirith. In old Coventry, the arrival of spring was celebrated by Pagans with fertility processions, where May Queens dressed in white garments were led to Coffa’s tree.

The legend has inspired many works of art throughout history, but none capture the story as beautifully as the painting by John Collier in the late 19th century. What immediately jumps out is the contrast within the Collier’s masterpiece. Lady Godiva is depicted naked and ashamed. A fragile girl, with her head bowed down. She is clinging on to her cause. This natural beauty, grotesquely stripped from her dignity, is almost losing hope. But she will not fail: her horse is there to guide her on her path. Where the noblewoman’s gown and jewelry are taken away from her, her horse is colourfully decorated. Its head is held high. Confident. Proud. You get the feeling that the horse understands the powerful statement his Amazon rider is making. He will carry her and support her.
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"invictus"
Year:  2010
Label:  Century Media
Format:  CD, LP, DVD
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Metalcore








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"iconoclast"
Year:  2008
Label:  Century Media
Format:  CD, LP
Tracks:  14
Time:  50 min.
Genre:  rock
Style:        Metalcore








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"antigone"
Year:  2004
Label:  Century Media
Format:  CD, LP
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Metalcore








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"in battle... there is no law"
Year:  1998
Label:  Life Force
Format:  CD, LP
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Hardcore








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