9.17.2020

CARCASS


















"reek of putrefaction"
Year:  1987
Country:  UK
City:  Liverpool
Label:  Earache
Format:  CD, LP
Tracks:  22
Time:  40 min.
Genre:  rock
Style:        Death Metal













Carcass are an English extreme metal band from Liverpool, which was formed in 1986. The band have gone through several line-up changes, leaving guitarist Bill Steer and bassist and vocalist Jeff Walker as the only constant members. They broke up in 1996, but reformed in 2007 without one of its original members, drummer Ken Owen, due to health reasons. To date, the band have released six studio albums, two compilation albums, four EPs, two demo albums, one video album, and six music videos. Carcass are regarded as pioneers of the goregrind genre. Their early work was also tagged as "splatter death metal", and "hardgore" on account of their morbid lyrics and gruesome album covers. Their fourth album Heartwork (1993) is considered a landmark in the melodic death metal genre. The band's lyrics often focus on animal rights issues. Walker and Steer are both vegetarians. Steer used to be vegan and Walker was a hunt saboteur. Carcass are influenced Metal bands like: Death, Master, Morbid Angel, Macabre, and other acts such as Slayer, King Diamond, Discharge, Mayhem and Diamond Head.
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"symphonies of sickness"
Year:  1989
Label:  Earache
Format:  CD, LP
Tracks:  10
Time:  40 min.
Genre:  rock
Style:        Death Metal















If this album had been my introduction to death metal years and years ago, I probably wouldn't have shied away from the genre. Symphonies of Sickness seems to have more of a death metal mentality to the way everything is structured and to the instrumental and vocal approach. A bit more grandiose and disciplined than most other interpretations of grindcore I've heard, this is an obvious bridge for death metal enthusiasts trying to get into grind and, more than that, it's simply an excellent extreme metal offering. Given the brevity releases in this genre tend to have, this album could be considered “epic grind.” The songs here clock in at 4 to 5 minutes apiece and all contain a great deal of progression. As previously mentioned, they often feel like death metal tunes with frequent tremolos and drum patterns that sound like they emigrated to this album from Leprosy or Altars of Madness. 'Reek of Putrefaction' starts the album off with some slow, grandiose riffs juxtaposed with ghostly symphonic effects and continues the dark atmosphere with its menacing riffs through the rest of the song. Though the faux-symphonic elements are almost nonexistent from here on out, the rest of the album largely follows suit, with well-executed grinding interspersed with all sorts of spacier, more calculated riffs. Even within some individual songs, there's a good deal of variability. ‘Empathological Necrotism’ has some grooving that anticipates Pantera as well as an ominous guitar-driven fadeout. The sections where Symphonies of Sickness reaches its peak in terms of extremity are fairly nondescript, though the muddy production lets everything, including the sickening rasps and howls, slosh together in evil maelstroms that are plenty effective in their own right. Where the album truly shines is in its more disciplined moments, though, when creepy guitar lines poke their heads up above the carnage or a satisfying riff or groove takes over, which I’m pleased to say, happens through most of the 43-minute runtime. This monumental release blurs the line between grindcore and early death metal, providing fans of the latter a great introduction to the former, as well as a listening experience as intelligently written and passionately performed as it is savage (*Review by Valfars ).
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"necroticism - descanting the insalubrious"
Year:  1991
Label:  Earache
Format:  CD, LP
Tracks:  8
Time:  46 min.
Genre:  rock
Style:        Death Metal








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"swansong"
Year:  1995
Label:  Earache
Format:  CD, LP
Tracks:  12
Time:  50 min.
Genre:  rock
Style:        Hard Rock        Death Metal


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"heartwork"
Year:  1993
Label:  Earache
Format:  CD, LP
Tracks:  11
Time:  45 min.
Genre:  rock
Style:        Death Metal















When the three English behemoths of death metal (Carcass, Bolt Thrower, Death) started marching in the mid/late-80’s, the fanbase knew instantly that the metal scenery would never be the same again; its brutalization was going to take much more tangible forms in the years to come… If we have to be very honest, though, grindcore didn’t spring from the metal field; it was entirely a product of the hardcore arena and, partially, the punk one. Still, it was inevitable the merger of the two fractions at some point in time, at least when the grindcore practitioners had acquired bigger musical skills… Of the three mentioned bands Carcass are by far the most commercially successful and the most creative outfit. They were constantly pushing the boundaries of what was possible within the metal template, unlike the Napalms who settled for their hyper-active death/grind/core barrage on “Harmony Corruption”, and haven’t looked away; or Bolt Thrower who found their doom-laden, battle-like niche with “Warmaster” and stuck with it throughout their subsequent discography. This wasn’t the Carcass way, though, as the Liverpudian gang already sounded more proficient on the death/grindcore hybrid “Symphonies of Sickness”, not to mention the fabulous “Necroticism…” which twisted cavernous riff-work must have thrown half the wannabe technical death metal practitioners at the time in despair. “Swansong” is “a swansong”, what the band could possibly do after such a tell-tale album-title… They had to split up, but only to rise from the medical textbooks in the new millennium with the excellent “Surgical Steel”. A tasty compendium of their last three instalments, this opus brought the band back in the game with full force seeing again hordes of fans ready to worship at the altar of these unique “death medical examiners”. Yes, the guys were badly missing from the scene, and it would be up to them to bring back the glorious days of British death metal in a heartbeat (*Review by Bayern ).
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"surgical steel"
Year:  2013
Label:  Nuclear Blast
Format:  CD, LP
Tracks:  11
Time:  60 min.
Genre:  rock
Style:        Death Metal








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"torn arteries"
Year:  2021
Label:  Nuclear Blast
Format:  CD, 2 x LP
Tracks:  10
Time:  50 min.
Genre:  rock
Style:        Death Metal








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9.02.2020

POISONOUS CUNT
















"make me a sandwich"
Year:  2020
Country:  UK
City:  London
Label:  Boss Tuneage
Format:  LP
Tracks:  11
Time:  24 min.
Genre:  rock
Style:        Punk











all female band from London, UK, started in 2017. they have recorded an EP plus an album "make me a sandwich". their musical style can be remind bands such as: Disorder, Chaos UK or Discharge, due to their extreme punk music with doses of noise and distortion. Lyrical themes such as: feminism, anarchism, pacifism, queercore... and similar subjects.
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"penis"
Year:  2017
Label:  none
Format:  digital
Tracks:  4
Time:  12 min.
Genre:  rock
Style:        Punk








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8.13.2020

DEATH BY STEREO


























"we are all dying just in time"
Year:  2020
Country:  US
City:  Orange County, CA
Label:  Epitaph
Format:  LP
Tracks:  10
Time:  30 min.
Genre:  rock
Style:         Hardcore
















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"black sheep of the american dream"
Year:  2012
Label:  Epitaph
Format:  CD, LP
Tracks:  10
Time:  30 min.
Genre:  rock
Style:        Hardcore








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"death for life"
 Year:  2005
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  34 min.
Genre:  rock
Style:        Hardcore








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"into the valley of death"
Year:  2003
Label:  Epitaph
Format:  CD, LP
Tracks:  13
Time:  36 min.
Genre:  rock
Style:        Hardcore








pass:  destileriasonora
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"day of the death"
Year:  2001
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  30 min.
Genre:  rock
Style:        Hardcore





pass:  destileriasonora



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7.31.2020

ANTISECT
























"the rising of the light"
Year:  2017
Country:  UK
City:  Daventry
Label:  RA
Format:  CD, LP
Tracks:  8
Time:  44 min.
Genre:  rock
Style:        Punk Metal















Antisect are a rock band based in London, UK. Their roots are in anarcho punk and metal. Formed in 1982 in Daventry, UK, their debut album, In Darkness There is No Choice, was released in 1983. 1985's follow up EP, "Out From The Void" has often been cited as a game changer amongst their genre for fusing a crust punk style with elements of metal. Antisect are a significant band in the timeline of hardcore punk community, said to have been a major influence upon "black-clad, politically charged punks over the last 30 years". The band address issues including animal rights, anarchism and social justice, communicating their ideas to a largely punk hardcore audience, and were among the instigators of the squat venue scene in the mid to late 80s. During this time members lived the lifestyle of being either on the road or part of the vibrant London squat scene of the time. They toured extensively both in the UK and Europe and though originally splitting up in 1987, the band reformed in May 2011.
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"in darkness, there is no choice"
Year:  1983
Label:   Southern
Format:  LP, CD
Tracks:  12
Time:  36 min.
Genre:  rock
Style:        Crust Punk







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7.09.2020

SEEYOUSPACECOWBOY



















"the romance of affliction"
Year:  2021
Label:  Pure Noise
Format:  CD, LP
Tracks:  13
Time:  30 min.
Genre:  rock
Style:        Metalcore








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"the correlation between
entrance and exit wounds"
Year:  2019
Country:  US
City:  Los Angeles
Label:  Pure Noise
Format:  CD, LP
Tracks:  12
Time:  30 min.
Genre:  rock
Style:        Metalcore











Five-piece metalcore band from San Diego, CA. Members of Rene Descartes, Vril, Letters To Catalonia and Flowers Taped to Pens. They started in 2016 and since then they have recorded three EP's and this debut album. Metalcore with some emo and screamo influences. Lyrically the band deal themes such as: social issues, politics, human rights, personal issues, emotions, etc. Their vocalist, Connie Sgarbossa, show us her talent singing in several bands such as:  Flowers Taped To Pens, Meryl Streaker, and SeeYouSpaceCowboy.
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7.07.2020

BREAK AWAY





























"cross my heart"
Year:  2017
Country:  US
City:  Richmond
Label:  React!
Format:  CD
Tracks:  12
Time:  24 min.
Genre:  rock
Style:        Hardcore














Break Away is a four piece straight edge hardcore band from Richmond, Virginia. They have a demo and an EP called 'For Life. To me BREAK AWAY exemplifies how a hardcore band is supposed to operate in the year 2017. While many bands are on their couches hoping for that phone call or email to let them know that they are on the next big bill these guys are out there busy with self-promotion, DIY touring, and booking shows in their home-base of Richmond, VA. Since this website started in 2012 I cannot think of many other bands that have promoted their shows and releases like Break Away has. Their latest album “Cross My Heart” on React! Records also shows that they can drop some amazing hardcore as well. In Effect catches up with Break Away frontman (and author) Ace Stallings in this August interview. Graphics by: Bas Spierings. (continue to read Interview ).
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6.26.2020

THE GHOST INSIDE















"idem"
Year:  2020
Country:  US
City:  Los Angeles
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore













The Ghost Inside make music for the outcasts. They’ve inspired audiences around the world to overcome obstacles, persevere, and find the strength to keep going when it feels like all is lost. Songs like “Out of Control”, “White Light” and “Mercy” are modern hardcore anthems. Passionate crowds have joined them in singalongs at major rock festivals, in theaters and clubs, brought together by the conviction of lyrics like, “Life’s swinging hard but, I’m swinging harder.” On an early morning in November 2015, The Ghost Inside’s tour bus collided with a tractor trailer, killing the drivers of both vehicles on impact, and severely injuring the band and their crew. When The Ghost Inside returned to the stage for the first time, nearly four years later, Kerrang! called it “Rock’s Most Miraculous Comeback” in a detailed cover story about triumph over tragedy. The ultimate victory for The Ghost Inside is their triumphant new self-titled album. thing magical to behold (the historic Shrine Auditorium sold out so quickly, the gig had to be moved to the parking lot), it isn’t the accident, the recovery, nor the onstage return that will define them. Created with producer Will Putney (Every Time I Die, The Amity Affliction, Knocked Loose) and longtime friend/collaborator Jeremy McKinnon of A Day To Remember, The Ghost Inside is 11 songs of determination, deep resolve, reflection, and new found hope. The album cover is a montage of The Ghost Inside lyrics, logos, and imagery, tattooed on fans around the world. The Ghost Inside was formed in El Segundo, California, comprised of Vigil and a group of friends who found inspiration in the long tradition of Southern California punk and hardcore subculture. An early lineup created their debut, Fury and the Fallen Ones (2008). Johnson joined a short while later, with Riley also onboard by the time they released Returners (2010). Tkaczyk became the band’s fulltime drummer before they signed with Epitaph Records to issue their breakthrough album, Get What You Give (2012). They were touring behind Dear Youth (2014) with Davis, but the incredibly collaborative The Ghost Inside (2020) marks his first official recorded appearance.
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"dear youth"
Year:  2014
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"get what you give"
Year:  2012
Label:  Epitaph
Format:  CD, LP
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"returners"
Year:  2010
Label:  Mediaskare
Format:  CD
Tracks:  11
Time:  40 min.
Genre:  rock
Style:        Metalcore








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"fury and the fallen ones"
Year:  2008
Label:  Mediaskare
Format:  CD
Tracks:  12
Time:  28 min.
Genre:  rock
Style:        Metalcore








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6.21.2020

EXTREME NOISE TERROR


















"idem"
Year:  2015
Country:  UK
City:  London
Label:  Agipunk
Format:  LP, CD
Tracks:  13
Time:  28 min.
Genre:  rock
Style:         Crust Punk







Among the kings of the late 80s british hardcore punk community, ENT, indisputably deserve their name to be written in big black capitol letters. After speeding up, together with Napalm Death, Doom and the likes, what Discharge created back in the early eighties and inspiring a whole generation of d-beat, crust and grindcore bands, ENT are back in 2017 with a new full length recorded during last months.
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"law of retaliation"
Year:  2008
Label:  Osmose
Format:  CD, LP
Tracks:  19
Time:  37 min.
Genre:  rock
Style:        Crust Punk








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"being and nothing"
Year:  2001
Label:  Candlelight
Format:  CD, LP
Tracks:  10
Time:  30 min.
Genre:  rock
Style:        Grindcore















With all the tiring line-up changes that occured through the years that ENT are around, it's surprisingly brutal to see that the spirit of this band hasn't change like hell. "Being And Nothing" is a relentless brutal death grinding attack, like no one could foresee. They seem that haven't made music for years, once the rage and blasting fury of this album seems that ENT are just too angry to give a break to the fans. After the amazing "Damage 381", where the old scholl grindcore spirit prevailed [most because of the Barney's trademark vocal register] alongside with social political directioned lyrics, ENT changed a bit their direction focusing much more on brutality and speed, with a new line up [as always] where for my surprise enters former Cradle Of Filth guitar player Gian Pyres. Full blasting from the beggining to the end and killing everything on it's way, "Being And Nothing" only fails in its shortness. Opening with the balzing furious "Being And Nothing" and finishing with "Detestation". Only hatred and fury exales from this album, not for the faint of heart. To have a closer idea of what I'm talking, pick up Malevolent Creation's "Envenomed" and "The Will T Kill" and you can see the difference between "Damage 381" and "Being And Nothing". More in your face brutality, always with superior technical performance, just like a band like ENT could do. Extreme Noise Terror is the new brutality meaning (*Review by Phantasos666 ).
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"damage 381"
Year:  1997
Label:  Earache
Format:  CD
Tracks:  10
Time:  30 min.
Genre:  rock
Style:        Grindcore








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"retro-bution"
Year:  1994
Label:  Earache
Formt:  CD, LP
Tracks:  14
Time:  30 min.
Genre:  rock
Style:        Crust Punk








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"phonophobia"
Year:  1991
Label:  Vinyl Japan
Format:  CD, LP
Tracks:  12
Time:  25 min.
Genre:  rock
Style:        Crust Punk














Extreme Noise Terror, once praised as a crust punk grindcore band, then known and now again returned to the roots, are from Ipswich, UK. Formed in 1985, they are one of the key early UK grindcore bands and are still together today with vocalist Dean Jones as the only original member. Notable for their use of dual vocalists and for recording a number of sessions for BBC Radio 1 DJ John peel, Extreme Noise Terror (often abbreviated to ENT) initially started as a hardcore punk band. It became quickly evident from early shows that they were far more extreme than many bands of that genre. Together with Napalm Death, ENT helped characterise the early, archetypal grindcore sound: Fiercely political lyrics, grinding guitars, extremely fast tempo and very short songs. Tracks 1 to 10 originally recorded and mixed at Southern Studios, London - August 1991. Remixed and remastered by Dean Jones and Phil Vane with additional production at Springvale Studios, Ipswich - October 2009.
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"a holocaust in your head"
Year:  1989
Label:  Radiation
Format:  CD, LP
Tracks:  16
Time:  28 min.
Genre:  rock
Style:        Crust Punk



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"the peel sessions"
Year:  1988
Label:  Earache
Format:  CD, LP
Tracks:  22
Time:  30 min.
Genre:  rock
Style:        Crust Punk








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