7.15.2014

EMERGE





































EXEDO
"vile"
Year:  2016
Country:  Germany
Label:  Attenuation Circuit
Format:  CD
Edition:  50 copies
Tracks:  1
Time:  36 min.
Genre:  electronic
Style:        Noise        Experimental
























live at our kitchen, Munich, 21.12.13 by Sascha (Emerge, "Attenuation Circuit", etc).
  Discogs   ,   Bandcamp   


















































































































EXEDO
"Extirpate"
Year:  2014
Country:  Austria
City:  Ausburg
Label:  Attenuation Circuit
Format:  cassette
Edition:  4 copies
Tracks:  1
Time:  22 min.
Genre:  electronic
Style:       drone        harsh noise




  Discogs   ,   Bandcamp    











































































































https://ia902304.us.archive.org/16/items/AmbientNoiseWall_201409/exed.jpg EXEDO
"Waul"
Year:  2014
Country:  Austria
City:  Ausburg
Label:  Attenuation Circuit
Format:  cassette
Edition:  4 copies
Tracks:  2
Time:  40 min.
Genre:  electronic
Style:        Drone         Harsh Noise





  Discogs   ,   Lastfm   ,   Bandcamp   ,   Facebook   ,   Soundcloud   ,   Myspace  



































































https://ia902506.us.archive.org/14/items/ambient_noise_wall_201405/was.jpg
EXEDO
"Wastage"
Year:  2014
Country:  Austria
City:  Augsburg
Label:  Attenuation Circuit
Format:  cassette
Edition:  4 copies
Tracks:  2
Time:  38
Genre:  electronic
Style:        Drone        Harsh Noise
























This is one of the many b-side musical projects run by Sascha Stadlmeier from Augsburg, Germany. Sascha run also an interesting label named "Attenuation Circuit Records" since 2000, so 15 years working, promoting and supporting the experimental music. Apart EXEDO we can named his main project called EMERGE and of course his own label: "Attenuation Circuit". And he has recorded from austere harsh noise to ambient to drone or even electronic music. The common denominator in his releases is the high creative level, but he can make styles really different between them. In EXEDO the sound move into drone / noise, sometimes closer to noise but sometimes closer to ambient / drone. In "wastage" we can listen to 2 tracks of almost 20 minutes each one and very similars between them. The cover could remind the german industrial music but not, here there is nothing to do about it. There is not rhythm nor melodies, just long noises, landscapes and emptyness. Nothing more. The better recommandation is to listen to several times because this is a great and good work.
  Discogs  ,  Lastfm  ,  Bandcamp  ,  Attenuation Circuit Records  ,  Facebook  


http://u.jimdo.com/www55/o/s825f016888d2631f/img/if5d243ea7ea02d5a/1408701897/std/image.jpg